Showing posts with label video. Show all posts
Showing posts with label video. Show all posts

Monday, March 16

Charmaine Ortiz



SEARCH: "HOW TO DRAW A WOMAN", MALE PERSPECTIVES FROM YOUTUBE RESULT PAGES 1-50 by Charmaine Ortiz

Monday, March 9

Thursday, February 12

Thursday, November 20

Mirror Mirrored: A Contemporary Artists' Edition of 25 Grimm's Tales



My pal Corwin Levi has teamed up with Michelle Aldredge to create Mirror Mirrored: A Contemporary Artists' Edition of 25 Grimm's Tales, a limited-edition, multimedia, hardcover book by 27 contemporary visual artists reinterpreting 25 Grimm's tales. The artists included in this project are: Amy Cutler, Angus McCullough, Anna Schuleit Haber, Anne Connell, Brittany DeNigris, Carrie Mae Weems, Debra Smith, DJ Spooky (aka Paul D. Miller), John Kelly, Joseph Keckler, Kiki Smith, Lothar Osterburg, Margaret Lanzetta, Plano Casual (aka Agustin Lucho Pozo), Rachel Perry Welty, Sarah Fagan, Siona Benjamin, Stephanie J. Williams, Tomokazu Matsuyama, Walter Martin, Paloma Muñoz, Wangechi Mutu, Will Rawls, Corwin Levi, David Packer, Julia Jacquette, Simen Johan, and Yinka Shonibare MBE. Check it out on kickstarter to see all the amazing things a simple pledge will bring into your life and support this amazing project.

Tuesday, October 28

LineWorks: Drawing Redefined

Lee Gainer, Crystal Cove, acrylic on cradled panel, 47" x 47", 2013

















 

LineWorks: Drawing Redefined

works by Lee Gainer, Sarah Irvin, Nikki Painter, Foon Sham, and Sarah Weinstock
curated by Erica Harrison 
Nov. 13, 2014 – Jan. 3, 2015 
Opening Reception Sat., Nov. 15, 2014, 6 – 8pm with an artist talk at 5:30pm

Beginning with earliest forms of communication, people have used line-based glyphs and pictograms as a way to share information. Wedges pressed into clay slabs, drawings on the walls of caves, and script writing all link our earliest ancestors to the creative process of conveying thoughts and information through linear images. Line-based drawing remains a critical component in the work of contemporary artists. 
In LineWorks, we will present a variety of multi-media works by five artists who utilize line as an essential element in their work.  all create work that relies fundamentally upon line drawing. In addition, they all explore how memories are formed, collected, and forgotten, using drawing to document their experiences. The Greater Reston Arts Center's gallery will be reconfigured into five independent spaces, each presenting a different and innovative process, expanding the definition of drawing itself.  

Thursday, February 21

Monday, November 5

Someguy (Brian Singer)


Pleasure to Burn by Someguy (Brian Singer)

Tuesday, August 14

Tim Davis

 

Abandoned Building Bowling, part of Tim Davis's series, The Upstate New York Olympics

Monday, March 12

Honey I'm home
















A weekend of art fairs and a biennial show can leave one quite tired.  Chatting with dealers and curators, walking, waiting, looking, looking more, watching people, checking out their shoes while sitting comfortably (I'm looking at you Armory, thanks!).  In years past, I have complained about Armory's lack of seating.  This year, thanks to the migration of several galleries to other fairs, there was plenty of seating and the VIP area was huge.  All in all, a pretty good trip although not much work was memorable.  There were some great pieces that I will highlight here over the next few weeks but one work sticks in my head.  Actually, it's a bit haunting.

At the Whitney Biennial, I was introduced to the work of Michael Robinson, a video artist.  He creates shorts that collage video footage, audio, and effects.  His piece Hold me Now is something I won't forget anytime soon.  You can see for yourself here.  

a still from Michael Robinson's video Hold Me Now










 




If there has to be an overall winner, it was Volta.  Lots of strong, interesting work including a performance by DC's own Wilmer Wilson IV at Conner Contemporary (gotta root for the home team you know.)  I also viewed some exquisite (and smirky) charcoal works from Trevor Guthrie @ Barbarian Art gallery, an installation about time from Peter Holst Kenckel @ Specta, some lovely paintings from William Swanson @ Marx & Zavattero, and paintings by Terry Haggerty @ Kuttner Siebert that simply vibrated (not literally).

I'll post more about all these artists in the coming weeks.  I hope you enjoy their work as much as I did.

Friday, February 10

Wednesday, August 31